The Occasional but Continual Realisation of the End. Study 32
The Occasional but Continual Realisation of the End Study 32
94 x 120 x 5 cm
Ink on Canvas
About the Artist:
Doubleday’s abstract paintings deal with the theme of mortality and the relationship we have with it. In his latest series the use of squares exist to represent the confines within the space we live in, they are often marauding and sometimes chaotic. The cathartic application of endless squares allows for a very dense surface construction with the layers and repetition, building into a rich sense of colour and shape. At times they are light and vibrant and then dark and brooding to reflect the different states of mind when dealing with the end.