Since the 1990s, acclaimed London-based Norwegian artist A K Dolven has produced a substantial body of work exploring the relationship between individuals and the perception of their environment, the connections that bind inner and outer realities, and the representation of sublime natural forces. Using a diverse range of media, including painting, film, sound and large-scale sculptural installation, she combines seemingly simple, almost minimalistic elements to create complex responses to a particular locale – especially the frozen landscapes of the Arctic Circle in her native Norway – while maintaining a universal voice that resonates far beyond the specifics of the place. Frequently immersive in nature, her works investigate but also induce feelings of discomfort and disorientation in the eye, body and mind of the viewer, an impression of forever being at odds with one’s surroundings as encountered through the various senses.
Coinciding with a solo exhibition at the Ikon Gallery, this compelling book presents the past decade of the artist’s practice. In five themed chapters, each artwork is shown in a series of large-scale installation shots and details that replicate the spatial and physical impact of the piece itself. Texts by five internationally renowned writers and thinkers illuminate various aspects of the artist’s work, addressing, among other things, its political significance, emotional intensity and philosophical depth. An introduction by Gaby Hartel considers the importance of A K Dolven’s sketchbooks to the genesis of her ideas, while an illustrated guide to the works presents the artist’s own detailed description of each one with supporting installation notes and background source material.
Edited by Gaby Hartel
With texts by Ina Blom, Gaby Hartel, Esther Kinsky, Thomas Macho, Mark Ravenhill and Jonathan Watkins
28.0 x 22.0 cm portrait
235 colour and 39 b/w illustrations