This week we have curated a selection of our brand new photographic works from award winning Sam Hicks who brings us fresh perspectives on the everyday to the haunting beauty of Michael Ormerod's captured moments there is a plethora of stellar photographic talent to peruse.
After studying fine art for a couple of years, Samuel Hicks went on to study photography at Berkshire School of Art for a further two years. Following his graduation he began assisting photographers in London, mainly in advertising, before going on to assist one photographer for the next six years.
Since being out on his own as a photographer, Hicks has been fortunate enough to travel to places such as Argentina, the States, Czech republic, and many Caribbean Islands, working for clients such as O2, Land Rover, Lucozade, P&O, Smirnoff Ice, The Times, The Independent, Art World, ING, Lynx and Metropolitan Police. In the last few years his personal projects have incorporated working on location in Sweden, Norway, and Ireland where he shot the New York State Circus.
The photograph of the Kendo Fighter smoking was a winner in the Lifestyle & Portraiture category of the Association of Photography Awards in 2004. Samuel’s work has featured in Creative Review’s annual photography showcases of the last few years. As well as exhibiting work at the London Photographic Awards, he was also selected for the Foto8 Summer Show in 2009 and had his first solo show at Crane Kalman Brighton in 2009.
GIRL BLOWING BUBBLE GUM, MICHAEL ORMEROD
The body of work, States of America, is the photographic legacy of one of the UK’s leading photographic talents whose untimely death in 1991 ended prematurely the highly promising career of a distinctive and powerful photographic voice.
Michael Ormerod was born in Cheshire in 1947. He lived in Newcastle, but spent many years travelling America. Fascinated by the American image, and following in the footsteps of Robert Frank, Ormerod took to the American West to find a washed out dream of capitalism. His images capture a strange juxtaposition of an American beauty tainted by a hidden sense of menace and corruption.
The photographs are understated, but show an unseen America, where the industrial heartland is decaying, highways stand empty and towns are deserted. The subjects of Ormerod’s work are the disenfranchised. A teenager cycles through her neighbourhood wearing a Halloween-style hockey mask, a Native American man stands in a graveyard, their expressions are unreadable.
The work subverts traditional American icons. A white picket fence is staved in, a huge billboard for Miss Teen Dakota USA stands next to an empty highway. Inverting the famous Hollywood sign, Ormerod photographs a Texaco sign from the back, dominating the empty, Western landscape.
The works also show humour – a giant fake dinosaur looms in the distance of a desert landscape, a stuffed moose head is displayed in the window of a diner. The subjects of the work are unconventional, surreal and sometimes mundane, but create an atmosphere of an eerie backwater America.
His photographs are those of the outsider, constantly travelling through a no-man’s-land. A sense of pessimism pervades, showing how the commercial boom of the 1950s has collapsed, leaving deserted streets, rubbish dumps and alienation. It is a land where the American Dream has turned sour.
Ormerod’s book, States of America, was published shortly after he died to mark an exhibition held at the Zelda Cheatle Gallery, London. Since then, only one major exhibition of his work has taken place in Sheffield in 2003. A reappraisal of his powerful and uncompromising chronicle of America is long overdue.