Archive for December, 2011

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Christmas Day Sale

CultureLabel’s Christmas Day Sale launches with brilliant discounts across some of our bestselling artist-designed homeware and accessories, including animal cushions by Chloe Croft London, retro prints & homeware by I Love Retro, Russia-based designers Square Lust and the brilliant jewellery-maker Lucie Ellen.

You can also kick start your new year’s art collection with generous discounts on limited-edition art prints, including BluePrints by by Donald Short, photographic work by CSukriti, an exclusive Map of London typography print by Ursula Hitz and Contemporary Landscape Editions by Olivia Bliss.

Check out the full CultureLabel Sale here.

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Introducing Delphine LeBourgeois

Artist Delphine Lebourgeois has been quite the buzz word of late, especially since her resounding success at this year’s The Other Art Fair in London. We love her delicate and surreal work, with its intense use of colour…

Delphine is a collage artist in the making of her images, as well as in the way her ideas are built: incongruous elements play with each other and compose a beautiful, surreal and often humorous universe.

Fascinated by hats and other head-dresses, many of her figures are adorned by a piece of excentric millinery, sometimes no less than a fragment of land or a firing volcano. These headpieces act as poetic metaphors hinting at the subject’s dreams, fears and aspirations.

Delphine’s work tackles intense emotional states and desires to achieve a balance between a conceptual approach and a seductive, decorative aesthetic. She creates an imagery that is nourished by her love of quirky narratives and beautiful designs and invites us all to wonder with her. And wonder we do…

Delphine graduated from Ecole Nationale des Beaux-Arts de Lyon and from Central St Martins and has been in London ever since working as an artist and illustrator for more than ten years with clients including The Guardian, Penguin Books, Macmillan & Bloomsbury. Delphine received the IMAGES 29 Critics Award in 2009 and has more recently been selected for the prestigious 3×3 international competition 2011.

Delphine’s images are poetic, yet conceptual and stray away from the obvious. As she explains: “My work is about solving problems with elegant, economic and surprising solutions. I am happy when I find an idea that startles me enough that I can start drawing.”

You can see Delphine’s works in A Little Bit of Art and Gas Gallery on CultureLabel with limited edition prints ranging from £95 to £750.00

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Art Pick of The Week: Bristol’s Antlers Gallery

The ‘nomadic’ Antlers Gallery was launched in Bristol in 2010 when Jack Gibbon realised that a gallery was needed to showcase the abundance of artistic talent across the city… here we talk to Juliette Burke, Assistant Director about nomadic galleries, rising art stars and what the future holds for Antlers…

Why and when did you open Antlers Gallery?
The inspiration behind Antlers came from seeing such strong and unique work being produced in Bristol and the lack of any suitable galleries to promote and sell this work. By setting up a nomadic gallery model, moving locations with each show we could massively cut down overheads and therefore concentrate on showing the best possible work without commercial values dominating. 

Antlers first exhibition was the group show ‘Grotesques’ which opened in an unused office space. Since then, Antlers have launched five more shows in spaces throughout Bristol that would otherwise lie empty.  

Why did you choose to set up in Bristol?
Bristol has such a vibrant and diverse art scene, there are so many people creating really great work within the city and we wanted to provide a strong and reliable platform to promote and sell their work.

Can you tell us more about being a ‘nomadic’ gallery?
When starting the gallery we were keen to cut down on some of the key overhead costs which often impede the development of galleries. Having no fixed location other than our website and social media sites means we have a great deal of freedom and flexibility to adapt our shows to different locations, cities and even countries. It is also great for developing our audience base as each show brings excitement to the area and with that a new set of visitors and clients. 

How do you choose which artists to exhibit in your gallery?
At present we are really keen to support and promote the work of Bristol based artists, as their is so much great stuff out there. Many of the artists we represent use traditional techniques such as drawing and painting to address timeless or contemporary themes. Often people describe the work we show as slightly dark or macabre but we like to think of it as more on the uncanny or bizarre side! 

How many artists are you currently working with and can you pick out a couple of ‘ones to watch’?
Over the past year we have worked with about 25 artists in total, however there is a core group of around 16 who we work really closely with. One’s to watch  – that’s tricky as obviously we think they are all great. Anouk Mercier and Ellie Coates  are constantly astounding us with their immense drawing skills, Amy Timms’ use of colour and precision in her flat gouache paintings is amazing and well Charles Emerson’s photographs are impressing everyone including Creative Review and the Sony World Photography Awards. 

What’s in store for the future?
We have just launched our Winter Shop which will be open until the end of the year. For this project we have brought together a more diverse range of products from T-shirts to ceramics to Christmas cards and books. We also have a great selection of new small original works, we are particularly in love with Alexander Korzer-Robinson’s new book sculptures – soon to be available to buy on CultureLabel! 

Check out the full collection here.

Londonist

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Londonist featured Rosy Lee’s Limited Edition Tea, Tea Refills, Tea Towel and Shopping Bag, and The British Museum’s Tea Towel Set as their London inspired Christmas gifts of the day.

Daily Candy

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NonesuchthingsGemstone Tape took pride of place in Daily Candy’s newsletter.

Last Minute Stocking Fillers

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Fill your stocking this year with unusual, handcrafted from a range of talented designer-makers and artists…

CultureLabel has curated a standout selection of unique and affordable stocking fillers this year – you can see the full range here in our Stocking Fillers and Gifts Under £20 Guide. And don’t miss some of our favourites here too:

For the animal lovers, a Yellow Wooden Bird Brooch will brighten any outfit through to Spring

For the foodies, a pair of  Low Res Apple Ornaments will be a permanent fixture in the fruit bowl

For the crafty, these Christmas DIY Paper Animal Figures will keep them entertained through to Boxing Day

For history lovers, why not let them share a cuppa with Charles Dickens…

and for those who just can’t seem to embrace the festive spirit, the Festive Sick Bag is a must!

Huffington Post

Sarah McGiven- Weekend Shopping- My Christmas List (Hint, Hint)-eyelashes

The Huffington Post’s Sarah McGiven featured Luna & Curious‘ Bird Eyelashes in her Christmas wishlist.

Emerald Street

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Emerald Street suggest buying Twisted Twee’s Just Do It Tea Towel for your flatmates this Christmas.

Emerald Street

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Emerald Street’s newsletter featured Alice Bosc’s limited edition Umbrella Print Mug.

Scotland’s Art Stars of Tomorrow

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Pick up a limited-edition print by the Scottish art stars of tomorrow…

The Skinny Magazine and CultureLabel have partnered on a new virtual enterprise to  provide art lovers with the opportunity to support emerging Scottish artists – for less than the price of a monthly mobile phone bill!

Since 2007 The Skinny Magazine has been featuring the brightest and best of new Scottish talent in its Showcase section each month.

In an innovative collaboration, The Skinny has commissioned seven of these artists to create limited editions that are now available to buy in the new The Skinny Showcase Shop on CultureLabel.com.

Supported by Creative Scotland through the Own Art scheme, this initiative provides the opportunity for art lovers to support new talent with prints ranging from £75 to £150.

Rosamund West is the editor of The Skinny and has been selecting the Showcase since 2007:

‘It’s very exciting for us to be able to offer some of the beautiful images that have passed through our Showcase section to the public to buy, and we’re very happy that CultureLabel and Creative Scotland have offered us this opportunity to bring these artists to a bigger audience.

The first collection of prints presents seven diverse Scottish artists who have made works in painting, printmaking, photography, illustration, collage and graphic design. Those artists exhibiting and selling their work include:

David Lemm / Good Wives and Warriors / Jamie Johnson / Markus Thorsen / Rabiya Choudhry / Rachel MacLean / Ross Fraser McLean

Why not take a look now? This innovative collection of works also make perfect Christmas gifts!

Peter Tullin of CultureLabel, said: “We are really excited about working with The Skinny and Creative Scotland to create an online platform for new inspiring artists. The collection features some truly brilliant limited editions and at really affordable price points, making it very accessible to everyone.”

To find the full Skinny collection click here.

 

Turner Prize Winner 2011: Martin Boyce

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Glaswegian artist Martin Boyce has won the 2011 Turner prize with his atmospheric Do words have voices installation. His award winning installation is a development of his No Reflections work for the Venice Biennale 2009. Dundee Contemporary Arts curated his work at the Biennale and subsequently commissioned him to create two limited edition prints in conjunction with the project which can be found on CultureLabel here.

Martin creates what he calls ‘psychological landscapes’ and is interested in creating atmospheres where the indoor and the outdoor spaces can be experienced simultaneously.  His prints make reference to the empty wooden interior of the artist’s bird box sculpture in the vacated Italian Palazzo; the holes in which simultaneously suggest the form of a head or mask. During the development of this project Boyce drew from a short text he had written with an abandoned zoo in mind: ‘warm dry stone and palm leaves, no elephants, no giraffes, no penguins, no brilliantly coloured birds…’.

In his prints this language of an abandoned garden is continued with the text ‘No Brilliantly Coloured Birds’ that tumbles out across the image. The form of the text stems from a central structural motif that forms a core of much of Boyce’s work. This motif is derived from an early black and white photograph of four geometric concrete trees sculpted by Joel and Jan Martel in 1925. Boyce explains:

‘While working on the Martel tree models I began to develop a linear repeat pattern with the central structure of the trees as the main motif. Over time I then began to notice the possibility of letters hidden within the lines of the repeat. As first I found an R, an S and an M then slowly and with much trial and error I found a good representation of every letter of the alphabet. Some letters were found upside down, some on their side…I allowed the letters to appear as they were found within the pattern…the relationship with falling fragments, autumnal leaves and the air blowing through architecture and nature seemed to fit perfectly with these tumbling letters.’ (Martin Boyce)

Martin Boyce also has a selection of limited edition work on sale through Dundee Contemporary Arts here.

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